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One of the strongest influences on the whole Bay Region Figurative school (1950s) was James Weeks. He wasn't teaching anywhere - he was working as a s sign painter. But his work was turning all kinds of people on.
- Manuel Neri, Currant Art Magazine, Volume 1, No. 1, April-May 1975
Education
B.A., California School of Fine Arts (CSFA), Hartwell School of Design,
1947; Teacher, CSFA, 1948-1951; Studied at Escuela de Pintara y Escultura,
Mexico City, 1951; Recipient, Abraham Rosenberg Fellowship, 1952; Part-time
Teacher, CSFA, 1958; Teacher, Graduate Painting, California College of
Arts and Crafts (replaced Richard Diebenkorn), 1959; Teacher, San Francisco
Museum of Art, 1960; Teacher, UCLA (on faculty with Richard Diebenkorn),
1967; Associate Professor, Boston University, 1970; Professor, Boston
University, 1975; Chair, Art Department, Boston University.
Selected
Solo Exhibitions 1950-1988
Lucien Labaudt Art Gallery, San Francisco, 1951, 1957; California Palace
of the Legion of Honor, San Francisco, 1953; "6" Gallery, San
Francisco, 1955; East-West Gallery, San Francisco, 1958; Poindexter Gallery,
New York, 1960, 1961, 1963, 1965; Felix Landau Gallery, Los Angeles, 1964,
1970; San Francisco Museum of Art, 1965; Boston University Art Gallery,
1971; Charles Campbell Gallery, San Francisco, 1977, 1981; Rose Art Museum,
Brandeis University, Waltham, Massachusetts (traveled to the Oakland Museum),
1978; Hirschl and Adler Modern, New York, 1985, 1988.
Selected
Group Exhibitions 1950-1965
California School of Fine Arts Faculty Show, M.H. de Young Memorial
Museum, San Francisco, 1951; 72nd Annual Painting and Sculpture Exhibition
of the San Francsico Art Association, San Francisco Museum of Art,
1953; Works by Four Contemporary Artists; Jeremy Anderson, James Weeks,
Hassel Smith, Ernest Briggs, California Palace of the Legion of Honor,
San Francisco, 1953; Contemporary Bay Area Figurative Painting,
Oakland Art Museum, 1957; Artist Member's Exhibition, California
Palace of the Legion of Honor, San Francisco, 1958; Winter Invitational,
California Palace of the Legion of Honor, 1960; Faculty Exhibition,
San Francisco Art Institute, 1961; Third Winter Invitational, California
Palace of the Legion of Honor, San Francisco, 1961; Figure Painting
in America, Birminham Museum of Art, Alabama; Some Points of View,
'62, Stanford University Art Museum, 1962; San Francisco Nine,
Contemporary Arts Museum, Houston, 1962; Fourth Winter Invitational,
California Palace of the Legion of Honor, 1962; Five Decades of the
Figure, State University of Iowa Art Gallery, Iowa City, 1962;
Eighty Second Annual Exhibition of the San Francisco Art Institute,
1963; Artists West of the Mississippi: The Realistic Image, Colorado
Springs Fine Arts Center, 1963; Sixty-Seventh Annual American Exhibition;
Directions in Contemporary Painting and Sculpture, The Art Institute
of Chicago, 1964; Seven California Painters, Staempfli Gallery,
New York, 1964; The 1964 Pittsburgh International Exhibition of Contemporary
Painting and Sculpture, Museum of Art, Carnegie Instutute, Pittsburgh,
1964; One Hundred Contemporary American Drawings, Museum of Art,
University of Michigan, 1965; Contemporary American Painting and Sculpture,
Kranert Art Museum, University of Illionois, 1965; Selections from
the Work of California Artists, Witte Memorial Museum, San Antonio,
Texas, 1965.
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